Thursday, March 13, 2014

Whimsical Thoughts Hatch a Poem

     
          I stepped outside my front door to relish the sunlight glowing on the winged reader statue who sits in my garden. As I poised my camera to take a photo of her, I moved closer, quietly, and then asked myself, "Wait--why am I creeping up on her as if I'm taking a picture of some wild creature? It's not like she's going to move!" After snorting at my own silliness, I suddenly imagined that the book in the statue's hands was my own novel, now in submission to agents. What if this reader were my Muse, pondering my pages--pages she had inspired? What if she were making a routine landing to check up on my progress, and then she would leave the book on the pedestal, to allow me to etch more words for her next visit? Or maybe she'd fly off with my pages, to inspire a reader (maybe an agent or a publisher) by carrying my words into their hearts and minds. Suddenly, I thought of this poem, and then ran back inside to write it: 

To the Muse in My Garden
by S. L. Lipson

Soften your heart, my Muse;
Look up from the words I've laid in your lap,
Smile, nod, gather my pages to your heart,
Then leap up and fly away with my treasure,
To land in the garden of another dreamer,
Waiting to be moved, too.

Wednesday, March 5, 2014

I Write Songs, Too--My Most Memorable Words of All

Okay, I've always felt funny calling myself a songwriter since my songs have never been published, except for two, "If Everyone Lived Like the Tree," which appeared as a poem in my second book, Writing Success Through Poetry, without any sheet music or link to a recording. The other song appears in my ebook, The Secret in the Wood, as sheet music for kid readers to play, to enhance the reader's experience of sharing the protagonist's emotions. I've performed "If Everyone Lived Like the Tree" at various assemblies, and have posted a recent video of such a performance on my Facebook Author Page. My daughter Lainey, a singer and actress, recorded the song from my book, "Dance of the Trees," with an accompanist on piano (Chase Pado), and it appears on my website as an audio file. But other than those songs, the only ones I've shared publicly have been within my religious community--spiritual songs, mainly--and tribute ballads at funerals. See why I've hesitated to call myself a songwriter?

Anyway, I've decided to start recording and adding my songs to my previously private Soundcloud page--even if they're mostly a cappella, rough versions--to force myself to take more seriously this gift that I've been given. I don't mean to sound arrogant when I say "gift"; on the contrary, I mean to sound humble, since the way my songs come to me is not something I consciously work at or even feel I can take credit for, as it really feels as though I'm channeling them from some distant muse. To clarify, I'm not calling myself a psychic, but my songwriting process is this: I'm hit by a tsunami of emotion, either painful or joyful or insightful, and suddenly I hear music playing in my head, and I jot down words as they flow out of my mouth along with the tune I'm hearing. Many of my songs have flown along with tears, rolling out of me as they drip onto the page, in many cases. Others have flown from me while traveling, either by car, train, or plane--there's something about traveling that sparks songwriting for me, along with grateful feelings and/or epiphanies about my small part in the vastness of this world. And some songs have grown out of pondering the emotions of others, via books I've read or movies I've seen, or even other songs that have moved me profoundly. Some I've adapted to fit my current novels-in-progress, hoping to use them to enhance my marketing efforts once those books are published.



I'd like to say that all of my writing comes to me as my songs do, but that's not true. I'm consciously thinking about these words, for instance, as I write them. I ponder, write, backspace, delete, add--just as I do when writing fiction. Even my poems don't always flow magically, but require reworking as I go. But my songs, they come from some other place in my creative spirit. I am now taking the risk of inviting you, my readers, into that place, by sharing some of my rough, mostly unaccompanied, vocal recordings. I have dozens of songs not yet uploaded to Soundcloud, still jotted on papers in my files and on cassette tapes, from years ago, and I will continue to add them to my Soundcloud page, because, well, it's time.

If you like my songs, you can leave comments here or on the Soundcloud page, and maybe your words will inspire me to get some of these professionally recorded. By the way, it costs you nothing to join Soundcloud, and it will open your ears to many new, undiscovered musicians. While you're on my page, check out my son's songs posted there, by Ian Lipson and/or Wistappear, his band.)

I will exhale loudly as I hit "Publish" for this post and declare myself a songwriter, even if only an amateur one.

Thursday, February 27, 2014

Housekeeping Poetry

     The other day I found a poem posted on Facebook that made me laugh aloud. "Dust If You Must," by Rose Milligan, offers lively rhyming words that convey the same message as the modern-day acronym "Y.O.L.O." (You Only Live Once), and the classic Latin admonition to live in the present, "Carpe Diem." Each verse begins with the words "Dust if you must, but…," following up with questions and comments that point out all of the more fulfilling alternatives to spending one's life dusting, such as: "…wouldn't it be better/ To paint a picture or write a letter…rivers to swim and mountains to climb…." The wry ending elicited my laugh:

          "Dust if you must, but bear in mind,
          Old age will come and it's not kind.
          And when you go--and go you must--
          You, yourself, will make more dust."

Dust to dust, ashes to ashes--so why waste time dusting, right? Life is an untidy business, which can only be relished, not controlled. And "good housekeeping" may be a cover for a person who yearns to be more adventurous, but chooses to play it safe for fear of the messiness of a life lived with abandon.



     Immediately, I recalled an old poem I wrote, also about housekeeping, also wry in its tone:

Rug Raker

Raking your rug,
Not hitting your kids,
Not breaking a plate,
Or slamming a door.

Raking the shag,
Not talking it out,
Not cleaning the shelves,
Or calling a friend.

Raking your rug,
Not crying your tears,
Not showing your pain—
Or feeling it.

Raking, you made
The living room die,
Track-free, preserved,
Museum-room style.

     While Rose Milligan's poem contains a warning to live life while you can--a warning that could have benefited this woman who perpetually raked her shag carpeting--my poem is more of an observation about housekeeping as a coping method. Rug raking is seen as a means of avoiding stress, honest communication, necessary confrontations, and emotional upheavals by keeping occupied with outward tidiness.  

     As I look around at my messy countertop, my computer surrounded by a crumb-covered dish, an empty coffee cup, an empty water glass, pens and paper, and a cell phone on which I now note an illuminated text from my precious daughter, I feel joy for the untidiness of my life and my ability to take the time to write this post, even though I need to get work done on my novel-in-progress. Dust abounds, and that's just fine with me.