Esteemed YA and MG Authors Share How They Know Their Characters Are Alive

(This article originally appeared in the SCBWI-San Diego newsletter, Dec. 2013)

Turning Words into Flesh:

How Fiction Authors

Bring Characters to Life

By S. L. Lipson

In Greek mythology, the sculptor Pygmal­ion, carves his ideal woman out of ivory and falls in love with her image. But his kisses meet cold stone, not flesh. The goddess of love, taking pity upon him, brings his creation to life.

Like Pygmalion, we fiction authors carve out our characters and await the magic that turns them into real people for us—people so real that our readers will also feel as if they know them.

How does that magic present itself to you? What makes you realize that your new characters have become fully alive? Here’s what some of our esteemed YA and MG novelists say:

Ellen Hopkins: It really is when they talk to you, not only while you’re at your computer, but when you’re trying to concentrate on something else, or attempting to go to sleep. Sometimes they wake me up, insisting I’ve forgotten to write some­thing very important.

Nikki Grimes: When my characters argue with me about the words I’m putting into their mouths, I know they have become their own per­sons! At that point, not only do they walk and talk, but they even tell me off. It’s quite hilarious!

Sharon Flake: My characters lead me like a balloon that is being carried away with the wind. Yes, at times I must get ahead of them and make a course correction. But mainly I write, rewrite and marvel at how much more gifted they are at telling stories than I am.

Heather Petty: For me, it’s when writ­ing their dialogue and responses become intuitive. When I start to anticipate what they will say or not say, and how they will say it, like you can with a best friend or family member—that’s when I know I’ve finally brought them to life.

As for me, I know my characters have taken on lives of their own when they start writing their own songs and poetry, and I record “covers” of their original hits on my computer, and want to share their poetry with my students, who are their age.

Those who don’t write fiction might think we are all “hearing voices,” ready to be committed! And we are! Our commitment to those voices is what pulls readers into our worlds.

Useful Noncommittal Words for Harmony in Relationships

Sometimes, in potentially volatile conversations, we must smother verbal sparks with noncommittal words, rather than insist on being "right" and fanning flames that lead to everyone being burned. Here are some handy phrases to cool down the heat, so no one ends up "the sore loser" (see picture below--drawn by my son, Ian).

1. "I can see why you think that." This phrase lets people know you're listening to them, suggesting that you agree with them, but not actually agreeing with what they say. (My son brought this line to my attention--by using it. He's a skillful diplomat, as the middle child, and only boy, between two strong-minded sisters.)
2. "Thanks for your input." The word thanks gives value to the other person's words, without necessarily valuing them.
3. "That's an interesting point." The word interesting offers delectable neutrality in sticky situations, without commitment.
4. "I'll think about that." This allows you to show open-mindedness, maybe even to consider another viewpoint, without definitely committing to anything in advance.
5. "You may be right." The overbearing listener will hear the words you and right without realizing that the may has not committed you to agreeing with him/her.

I am a firm advocate of directness in conversations, rather than evasiveness, but we all have those people in our lives with whom a conversation often escalates into a battle of wills. Life's short and high blood pressure only makes it shorter, so reconsider the value of being "right" for the sake of your own health With some people, you can consider noncommittal words a gift to their egos/insecurity/need to dominate. 

Let me know how this works for you! And please subscribe to my blog if you enjoyed this.

Behind the Armor

I will now share my poem about self-protective behaviors that alienate us from each other. In all forms of communication, we cannot connect with others unless we drop our shiny, unyielding facades to expose our emotions, face vulnerability, and reveal our hearts--our true mettle.

Behind the Armor
by Susan L. Lipson

Clouded knights
wear arrogance for masks,
aloofness for protective suits,
meanness for shields,
while battling insecurity,
fear,
loneliness,
and weakness. 

Ninjas prefer hand-to-hand combat
with emotions,
building thicker skin through baring it,
from struggle to sweat to sigh to
enlightened daze.

No heavy armor required
when we are who we are.
No hasty judgment pronounced
when we know who they are.


The next time you feel insulted by someone's apparent arrogance, feel sympathy for the insecurity that hides behind the actions. When your warmth is iced over by someone's coldness, have compassion for her fear of emotional sharing. And when a bully tries to make you feel small, pity his misguided need to put others down in order to raise himself up. Channel all of these feelings into actions and reactions guided not by judgment, but by understanding. That's how we shed the heavy armor that weighs us down and prevents us from connecting with each other.

That's also how we writers connect to our fictional characters, to make them real for readers: we must first know their naked selves before we can hide them beneath armor for our readers to uncover. The joy of finding the cracks in a character's armor, and eventually uncovering that character's heart, is one of the great joys of reading, isn't it?